Enter the gates of Witchtown to find a darkly humorous and mischievous coming-of-age story for fans of Alice Hoffman's Practical Magic and the Danielle Paige’s Dorothy Must Die series.
Enter the gates of Witchtown to find a mischievous coming-of-age story for fans of Alice Hoffman's Practical Magic and the Danielle Paige’s Dorothy Must Die series.
When sixteen-year-old Macie O’Sullivan and her masterfully manipulative mother Aubra arrive at the gates of Witchtown—the most famous and mysterious witch-only haven in the world—they have one goal in mind: to rob it for all it’s worth.
But that plan derails when Macie and Aubra start to dig deeper into Witchtown’s history and uncover that there is more to the quirky haven than meets the eye.
Exploring the haven by herself, Macie finds that secrets are worth more than money in Witchtown.
Secrets have their own power.
A MODERN WITCH’S PRIMER
Havens in Historical Context
Near the beginning of this century, with occultism on the rise around the world, a whistleblower from within the pagan community exposed a secret that had long been protected by witches everywhere. The secret was that in addition to Learned witches, ordinary individuals who studied pagan practices and who could, with practice, learn to channel a small amount of power for their rituals, there were also so-called Natural witches, people who possessed a tremendous amount of inborn power and who required little or no formal training to wield it.
In response to the public outcry over this “unregulated threat to public safety,” the United States government instituted a National Witch Registry and required all Natural witches, under pain of imprisonment, to submit their name, city of residence, and place of employment to a publicly searchable database.
There was a good faith movement within the Natural witch community to comply with this registry.
Over the next few years, in what would eventually become known as the Second Inquisition, the witches who volunteered their identities were systemically ostracized from their social circles, became unable to retain jobs, and in some cases, were hunted down and abducted by private-citizen “safety brigades.” The runaway bestseller The Inquisitor’s Handbook provided these groups with instructions (mostly badly translated from a sixteenth-century copy of Malleus Maleficarum, a.k.a. The Witch’s Hammer) as to the proper method of torture and execution of witches. Law enforcement was slow to recognize these atrocities as hate crimes and generally lackadaisical in its prosecution of the perpetrators.
The government’s solution was to seize small parcels of (mostly undesirable) land around the country in order to establish witch-only communities known as Havens. This, it was argued, would remove the threat to public safety and the temptation for hate crimes, while allowing both Learned and Natural witches to live among their own kind, keep their traditions alive, and practice magic in safety.
The greatest of these Havens was a private township created by the late billionaire insurance magnate Reginald Harris, one of the richest and most influential men in the United States and, until his final years, an unregistered Natural witch. Unlike the small, poor, mostly rural communities that established themselves in most of the government-funded Havens, Harris’s town, deep in America’s heartland, was intended to be a pagan utopia: a model of green building, spiritual enlightenment, and, above all, magical living.
It was called Witchtown.
Witchtown looked more like a prison than a town.
For one thing, it was surrounded on all sides by a three-story wall. The massive structure was overgrown with ivy and moss, but when we got within a few hundred yards, I could see plenty of places where ugly, manmade concrete was peeking through the greenery. The walls were sloped at a steep angle, probably to prevent people from climbing them. That thought brought on unwelcome images of invaders scaling the slippery, mossy surface, armed and planning to inflict untold horror on the people—?the witches—?inside . . .
I chased the thought away.
Those times are over, I reminded myself. For the most part.
She pulled over right beside the sign.
BURN IN HELL was spray-painted diagonally right across its face, in red. Below that, the phrases SATAN’S SPAWN and EXODUS 22:18 were carved into its surface. The usual anti-witch slurs. Not particularly original. But once I managed to squint my way through all of that, the original lettering on the sign erased any remaining doubt I might have had about our destination:
I straightened up a little and looked across the front seat at my mother.
“You’re kidding, right?” I asked.
My mother sipped her coffee and didn’t respond right away. After days of near-total silence in the car, my words felt uncomfortably loud, even to my own ears. I wasn’t sure how long our stalemate had lasted. It’s hard to define days based on rest-stop bathrooms and drive-through meals.
She took several more leisurely swallows of coffee. Then she asked, “Why would you think I was kidding?”
“You think now is a good time for this? Now? After everything . . .” I cringed. Even just that little bit of talking had distracted me. Caused me to let my guard down. And the sinkhole of pain I had been keeping at bay reopened itself inside my chest. It felt bigger. Like it had grown stronger. It grabbed me now with an intensity that made it difficult to breathe.
“That’s all behind us now,” my mother said, but I barely heard her.
Too soon. Too soon for reality.
I had to shut it down. I abandoned the conversation, closed my eyes, and sank back down into the passenger seat. I felt for my weathered leather jacket, which I had been using as a blanket, and found it on the car floor. I picked it up and covered myself in it, trying to ignore everything but its familiar scents of sage and something else, something even earthier than sage, as I tried to lull myself back into my silent, senseless cocoon.
Oblivion. Oblivion. Take me away . . .
But a hard tug on the jacket brought me back to the here and now. To my mother, glaring down at me with disapproval.
“It’s in the past,” she insisted.
I jerked the coat out of her hand and turned my face toward the window.
“Not for me.”
A harder yank pulled the leather from my grip entirely. I sat up in protest. My mother gave the garment a disgusted look and tossed it down at my feet.
“Let it go,” she commanded. Then she added pointedly, “You know you’re the only one dwelling on it, don’t you?”
I bit my lip. That was true enough. But it didn’t make the hurt any less.
The thought brought on a new squeeze of pain, a new struggle to breathe. I retrieved the jacket from the floor again, settled my head against the back of the seat, and closed my eyes.
My mother sighed. “Fine. Have it your way,” she huffed, and I heard her door open. A gust of cinnamon-scented air flew up my nostrils as she exited the car.
After a moment, I opened my eyes.
The annoying thing was I knew, I knew, I was goi...
"The quaint setting, interesting characters, and convoluted plot will keep readers interested until the very end. A great selection for a teen book discussion, this book will find a wide audience in most libraries." —VOYA
". . . an enjoyable coming-of-age tale sure to be a hit with readers who like their romance or mystery with a hint of the paranormal." —Booklist
"This uncomplicated, romantic story will charm reluctant readers who want a little magic but not all the tedious rituals." —Kirkus
" The story is an appealing combination of the paranormal and romance genres, sure to please older “Harry Potter” fans. "—School Library Journal
"A deeply felt, spooky-romantic story that intrigues, surprises and, ultimately, celebrates the magic within.” —Cynthia Leitich Smith, New York Times bestselling author of the Tantalize and Feral series
"Magical, inventive, and fast-paced, Witchtown will put a spell on you!” —Jessica Taylor, author of Wandering Wild
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