When orphaned, 10-year-old Inge comes to live with her stern grandmother in a remote island village, she brings joy and laughter into her grandmother's life, and ends up changing the climate of the whole town and finding a new family.
In the tradition of ANNE OF GREEN GABLES and PIPPI LONGSTOCKING comes a heart-warming novel about love, family, grief, joy and the power of laughter and imagination.
When Inge Maria arrives on the tiny island of Bornholm in Denmark to live with her grandmother, she's not sure what to expect. Her grandmother is stern, the people on the island are strange, and children are supposed to be seen and not heard. But no matter how hard Inge tries to be good, mischief has a way of finding her. Could it be that a bit of mischief is exactly what Grandmother and the people of Bornholm need?
The Grateful Goat and the Talking Spoons
Here I am, feeling sorry for myself.
I’m sitting on a wooden crate, wedged between a cage full of geese and a goat. If I press too hard against the geese, they honk and peck at me, and even though my coat is too thick for it to hurt, it makes me want to cry. If I press too hard against the goat, she eats my plaits. One is already ten centimeters shorter than the other, the ribbon gone, and that makes me want to cry too.
I could stand up, but the boat is rolling and tumbling so much that I would probably fall over, and the deck is covered in water and poo and ?sh guts. If I don’t fall over, I might bump into one of the ?shermen, and they are already grumpy about having a ten-year-old on their boat. They think it is bad luck to have a child onboard. Even worse luck if she is a girl.
I could go and sit with the old man and his seasick pig, but he might ask me why I am traveling alone, all the way from Copenhagen out to the island of Bornholm, and I don’t want to talk about it. That will de?nitely make me want to cry.
I tell myself that the goat isn’t so bad. She stinks, but she is friendly, and doesn’t seem to mind my being close. The softness and warmth of her remind me of snuggling by the ?re with Mama, listening as she reads my favorite stories. I wrap my red woolen scarf around my head to protect my hair, rest my cheek against the goat, and close my eyes. A tear squeezes its way out from between my eyelids and dribbles down my face.
“Silly,” I say, licking it o? my cheek as it slides near to my mouth.
I will not feel sorry for myself.
“I will be a brave girl,” I whisper into the goat’s kidneys. “I will make Mama proud of me.”
And then I fall asleep.
My grandmother meets me at the harbor at Svaneke. We have never met before, but I know it is her because she is the only woman there. She is short and round, like a barrel. Everything she wears is black—her headscarf, dress, boots, and shawl. Even her eyes are black, like two raisins pressed into her wrinkled gray face. She does not smile.
I wonder if her bloomers are black. Gloomy underwear would be enough to wipe the joy from anyone’s face.
She waits on solid ground and makes me walk alone, down the gangplank and the full length of the long stone wharf. I have traveled all this way on my own, and still she makes me complete the ?nal part of the journey alone.
I feel naked and lopsided, and when I reach her, I realize why.
Grandmother gasps. “What have you done to your hair, child?”
I touch my head and feel spiky tufts where one of my long blond plaits used to sit. The goat has eaten all the hair o? one side of my head while I was asleep.
I can feel hot tears prickling in my eyes, but I will not let them fall. I will not feel sorry for myself. No matter how bald the right side of my head feels. No matter how much I wish my mother were here. No matter how long it takes before my grandmother hugs me and says that she is glad to meet me.
“Stay here, child,” she says, and walks along the wharf to boss some men about. I have brought an enormous trunk with me and she is not happy. It will have to come later on the back of a cart. She will have to pay someone for their trouble.
She means I have caused her trouble.
I think, Don’t hold your breath waiting for a hug, Inge Maria Jensen.
The old man walks by, leading the goat on a rope. She bleats at me. I think she is saying, “Thank you for the delicious lunch,” but I am too annoyed to say, “You are welcome.”
But then the man scolds her and I think that maybe the goat is feeling sad and lonely too, and I give in.
“Have a pleasant evening!” I call after her, and wave.
Grandmother rolls her eyes and drags me up the road by the arm. She will not even hold my hand.
The walk home is long and cold. By the time we reach Grandmother’s farm, it is snowing, even though it is late in March and winter should be long gone. My legs are tired and my face is so raw that I don’t even want to stop to build a snowman. My half-bald head stings with every new snow?ake that lands on it.
Grandmother’s house is pretty. It is bright red with black beams of wood holding the red bits together. Like strawberries and licorice. The roof is covered in a white icing of snow, but I can tell from the shape that it is made of straw thatching. This cheers me up a little. At least she doesn’t live in a cave, or a hole in a tree. It happens, you know. I’ve read about it in fairy tales.
Inside is warm and cozy, but it is an old woman’s home. There is a rocking chair by the ?re, a basket of knitting, a small table with a lantern, and a Bible. There are no books full of stories and brightly colored pictures, no cat curled up by the ?re, no squishy chairs big enough for two people to sit, side by side, cuddling, reading, talking, telling each other about their day.
“Well, child,” Grandmother snaps. “Don’t just stand there like a smoked herring with your eyes staring and your mouth open. Come inside and close the door before the wind chills the walls and there is enough snow indoors to ski.”
I look up at her, thinking that she might just have made a joke. She is frowning like an ogre. I smile anyway, and point at a ?ake of snow that has blown in through the door and is ?itting its way toward Grandmother.
Before I know what has happened, my outstretched hand is smarting, burning, glowing red with ?nger shapes.
Grandmother has slapped me!
She stomps past me and slams the door shut.
“You are behaving like a barbarian, child!” she scolds.
“Pointing, gaping, and disobeying your grandmother!”
I stare at her, my bottom lip trembling.
I will not cry, I say in my head. I will not feel sorry for myself.
But I do not know why she has slapped me. I just wanted to show her the beautiful snow?ake dancing across her ?oor.
And I do not even know what a barbarian is.
I have never been hit before. Mama’s hands were only ever used to hug, or to help with laces and buttons, or to stroke my cheek and hair.
Grandmother whips o? my coat and scarf, wipes my face clean with a cold, damp cloth, and sits me down at the kitchen table with a bowl of steaming soup.
I am starving. I have not eaten since the boat left Copenhagen yesterday. It’s not easy to eat when you are watching ?sh guts slide around at your feet and have a sea-sick pig mo...
2017 ILA-CBC Children's Choice List
Kirkus Best of 2016
Raleigh News & Observer Best of 2016
BookPage Best of 2016
* "Readers can only hope for more of [Inge Maria Jensen's] happy mischief and genuine heart."
—Publishers Weekly STARRED review
* "This heartwarming and richly engaging tale explores grief and the sustaining support of humor with an abundance of love."
—Kirkus STARRED review
* "A yarn too good to pass up."
—Booklist STARRED review
"With both a judicious amount to cry at and much to delight in, this book will satisfy lovers of orphan stories and good-natured mischief makers alike."
"A truly touching story."
—School Library Journal
"Fans of Pippi Longstocking will devour this hilarious debut novel, featuring an energetic 10-year-old who invigorates an isolated Danish town."
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