The Loney

by Andrew Hurley
$14.99
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Hailed as “a masterful excursion into terror” by the Sunday Times—the eerie, suspenseful debut novel about two brothers that is taking the world by storm


  • Format: Paperback
  • ISBN-13/EAN: 9780544947191
  • ISBN-10: 0544947193
  • Pages: 320
  • Publication Date: 04/11/2017
  • Carton Quantity: 24

About the book

Winner of the Costa First Novel Award  

A Best Book of the Year, London Times and Daily Mail | An Exceptional Novel, Sunday Times  

Best Book of the Year, British Book Industry Awards | A Best Summer Book, Publishers Weekly 

  

“The terrors of this novel feel timeless . . . There are abominations here, and miracles.”—New York Times Book Review 

  

“An amazing piece of fiction.”—Stephen King 

  

“Completely terrifying.”—Paula Hawkins | “Vibrantly written.” —Entertainment Weekly  

 

“Stunning” —Jeff VanderMeer 

  

When Smith was a boy, he and his family went on an Easter pilgrimage with their local parish to the Loney, a bleak stretch of the English coastline, to visit an ancient shrine, in search of healing for Smith’s disabled brother. But the locals were none too pleased to welcome them, and the two brothers soon became entangled in a troubling morass of dangerous rituals. For years after, Smith carries the burden of what happened that spring. And when he hears that the body of a young child has been found during a storm at the Loney, he’s forced to reckon with his darkest secrets, no matter the cost. “The masterpiece by which Hurley will enter the Guild of the Gothic” (Guardian), The Loney marks the arrival of a remarkable new talent. 

  

“Fans of Shirley Jackson are sure to savor . . . Tight, suspenseful writing makes this masterful novel unsettling in the most compelling way.”—Washington Post 

  

 

 

About the author
Andrew Hurley

ANDREW MICHAEL HURLEY lives in Lancashire, where he teaches English literature and creative writing. He has published two short story collections. His first novel, The Loney, won the Costa First Book Award, was short-listed for the James Herbert Award, and was published in twenty territories.

Excerpts

While they were going out, a man who was demon-possessed and could not talk was brought to Jesus. And when the demon was driven out, the man who had been mute spoke. The crowd was amazed and said, ‘Nothing like this has ever been seen in Israel.’ But the Pharisees said, ‘It is by the prince of demons that he drives out demons.’ 

— Matthew 9:32–34 

 

And what rough beast, its hour come round at last, 

Slouches towards Bethlehem to be born? 

— W. B. Yeats, ‘The Second Coming’ 

  

 

 

1 

  

It had certainly been a wild end to the autumn. On the Heath a gale stripped the glorious blaze of colour from Kenwood to Parliament Hill in a matter of hours, leaving several old oaks and beeches dead. Mist and silence followed and then, after a few days, there was only the smell of rotting and bonfires. 

 

I spent so long there with my notebook one afternoon noting down all that had fallen that I missed my session with Doctor Baxter. He told me not to worry. About the appointment or the trees. Both he and Nature would recover. Things were never as bad as they seemed. 

 

I suppose he was right in a way. We’d been let off lightly. In the north, train lines had been submerged and whole villages swamped by brown river water. There had been pictures of folk bailing out their living rooms, dead cattle floating down an A road. Then, latterly, the news about the sudden landslide on Coldbarrow, and the baby they’d found tumbled down with the old house at the foot of the cliffs. 

 

Coldbarrow. There was a name I hadn’t heard for a long time. Not for thirty years. No one I knew mentioned it any more and I’d tried very hard to forget it myself. But I suppose I always knew that what happened there wouldn’t stay hidden forever, no matter how much I wanted it to. 

 

I lay down on my bed and thought about calling Hanny, wondering if he too had seen the news and whether it meant anything to him. I’d never really asked him what he remembered about the place. But what I would say, where I would begin, I didn’t know. And in any case he was a difficult man to get hold of. The church kept him so busy that he was always out ministering to the old and infirm or fulfilling his duties to one committee or another. I could hardly leave a message, not about this. 

 

His book was on the shelf with the old paperbacks I’d been meaning to donate to the charity shop for years. I took it down and ran my finger over the embossed lettering of the title and then looked at the back cover. Hanny and Caroline in matching white shirts and the two boys, Michael and Peter, grinning and freckled, enclosed in their parents’ arms. The happy family of Pastor Andrew Smith. 

 

The book had been published almost a decade ago now and the boys had grown up — Michael was starting in the upper sixth at Cardinal Hume and Peter was in his final year at Corpus Christi — but Hanny and Caroline looked much the same then as they did now. Youthful, settled, in love. 

 

I went to put the book back on the shelf and noticed that there were some newspaper cuttings inside the dust jacket. Hanny visiting a hospice in Guildford. A review of his book in the Evening Standard. The Guardian interview that had really thrust him into the limelight. And the clipping from an American evangelical magazine when he’d gone over to do the Southern university circuit. 

 

The success of My Second Life with God had taken everyone by surprise, not least Hanny himself. It was one of those books that — how did they put it in the paper? — captured the imagination, summed up the zeitgeist. That kind of thing. I suppose there must have been something in it that people liked. It had bounced around the top twenty of the bestsellers list for months and made his publisher a small fortune. 

 

Everyone had heard of Pastor Smith even if they hadn’t read his book. And now, with the news from Coldbarrow, it seemed likely that they would be hearing of him again unless I got everything down on paper and struck the first blow, so to speak. 

  

2 

  

If it had another name, I never knew, but the locals called it the Loney — that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr and Mrs Belderboss and Father Wilfred, the parish priest. It was our week of penitence and prayer in which we would make our confessions, visit Saint Anne’s shrine, and look for God in the emerging springtime, that, when it came, was hardly a spring at all; nothing so vibrant and effusive. It was more the soggy afterbirth of winter. 

Dull and featureless it may have looked, but the Loney was a dangerous place. A wild and useless length of English coastline. A dead mouth of a bay that filled and emptied twice a day and made Coldbarrow — a desolate spit of land a mile off the coast — into an island. The tides could come in quicker than a horse could run and every year a few people drowned. Unlucky fishermen were blown off course and ran aground. Opportunist cocklepickers, ignorant of what they were dealing with, drove their trucks onto the sands at low tide and washed up weeks later with green faces and skin like lint. 

 

Sometimes these tragedies made the news, but there was such an inevitability about the Loney’s cruelty that more often than not these souls went unremembered to join the countless others that had perished there over the centuries in trying to tame the place. The evidence of old industry was everywhere: breakwaters had been mashed to gravel by storms, jetties abandoned in the sludge and all that remained of the old causeway to Coldbarrow was a line of rotten black posts that gradually disappeared under the mud. And there were other, more mysterious structures — remnants of jerry-built shacks where they had once gutted mackerel for the markets inland, beacons with rusting fire-braces, the stump of a wooden lighthouse on the headland that had guided sailors and shepherds through the fickle shift of the sands. 

 

But it was impossible to truly know the Loney. It changed with each influx and retreat of water and the neap tides would reveal the skeletons of those who thought they had read the place well enough to escape its insidious currents. There were animals, people sometimes, the remains of both once — a drover and his sheep cut off and drowned on the old crossing from Cumbria. And now, since their death, for a century or more, the Loney had been pushing their bones back inland, as if it were proving a point. 

No one with any knowledge of the place ever went near the water. No one apart from us and Billy Tapper that is. 

 

Billy was a local drunk. Everyone knew him. His fall from grace to failure was fixed like the weather into the mythology of the place, and he was nothing short of a gift to people like Mummer and Father Wilfred who used him as shorthand for what drink could do to a man. Billy Tapper wasn’t a person, but a punishment. 

 

Legend had it that he had been a music teacher at a boys’ grammar school, or the head of a girls’ school in Scotland, or down south, or in Hull, somewhere, anywhere. His history varied from person to person, but that the drink had sent him mad was universally accepted and there were any numbe...

Reviews

Winner of the Costa First Novel Award 

A Sunday Times Exceptional Novel of 2015 

A Best Book of 2015 by the Times and the Daily Mail 

  

“It’s not just good, it’s great. An amazing piece of fiction.” —Stephen King 

 

“THE LONEY by Britain’s Andrew Michael Hurley likewise deals with the impact of damaged children on family life. During Easter Week, a deeply Catholic family travels to a distant shrine on the English coast, hoping to find a miracle cure for their mute older son. Miracles, they discover, do exist, but always at a cost. It’s hard to believe that this mysterious, richly atmospheric book is a first novel.”Washington Post, “Horror novels are having a renaissance. Here’s what to read.” 

 

“A palpable pall of menace hangs over British author Hurley’s thrilling first novel, narrated by a London boy, “Tonto” Smith, whose affectionate nickname was bestowed by a parish priest who likened himself to the Lone Ranger. Tonto and his family undertake an Easter pilgrimage to the Moorings, a house overlooking a treacherous swath of tide-swept Cumbrian coast known as the Loney. Smith’s devoutly Catholic mother hopes that taking the waters at the nearby shrine will cure his older brother, Hanny, of his lifelong muteness. But the Cumbrian landscape seems anything but godly: nature frequently manifests in its rawest state and the secretive locals seem beholden to primitive rites and traditions that mock the religious piety of the visitors. Adding to the mystery is Coldbarrow, a spit of land turned twice daily by the tides into an island, where a man, a woman, and a pregnant teenage girl have taken refuge in a gloomy house named Thessaly. Hurley (Cages and Other Stories) tantalizes the reader by keeping explanations for what is happening just out of reach, and depicting a natural world beyond understanding. His sensitive portrayal of Tonto and Hanny’s relationship and his insights into religious belief and faith give this eerie tale depth and gravity.” —Publishers Weekly, starred review 

  

“When a landslide during a winter storm reveals the body of an infant, the desolate Lancashire coastline known as the Loney is in the news, and the narrator called Smith realizes he must tell the story of his past there. Thirty years earlier Smith’s family and other church members undertook an Easter pilgrimage to an old shrine in order to “heal” his mute brother Hanny and reconvene with God. However, the adventure was one of clashing attitudes, strange locals, loud noises in the night, hidden locked rooms, and miracles that may not have been God’s will at all. First-time novelist Hurley weaves an intricate story of dark mystery and unwavering brotherly love that lends itself to many rereads. The characterizations are superb; even the Loney becomes a distinct character as it seems the place, not the people, is to blame for the bizarre happenings. Also, while religion plays a major role, the reference is more an observation of traditions. VERDICT: This eerily atmospheric and engrossing novel will captivate readers who like their fiction with a touch of the gothic.” —Library Journal, editor’s pick 

  

The Loney is one of the best novels I’ve read in years. From the very first page, I knew I was in the hands of a master. Atmospheric, psychologically astute, and saturated with the kind of electrifying wrongness that makes for pleasurably sleepless nights.” —Kelly Link, author ofGet in Trouble 

  

The Loney is a stunning novel—about faith, the uncanny, strange rituals, and the oddity of human experience. Beautifully written, it’s immensely entertaining, but also deep and wide. A moving evocation of desolate wilderness and a marvel of complex characterization, The Loney is one of my favorite reads of the past couple of years.” —Jeff VanderMeer, New York Times best-selling author of the Southern Reach trilogy 

  

“Here is the masterpiece by which Hurley must enter the Guild of the Gothic: it pleases me to think of his name written on some parchment scroll, alongside those of Walpole, Du Maurier, Maturin and Jackson.” —Guardian 

  

“Astonishing . . . Beautifully literary and absolutely horrific.”Times Literary Supplement 

  

“A masterful excursion into terror.” —Sunday Times 

  

“Modern classics in this genre are rare, and instant ones even rarer; The Loney, however, looks as though it may be both.” —Sunday Telegraph 

  

“Enigmatic and distinctly unsettling . . . The Loney’s power lies in all that Hurley dares to leave out. This is a novel of the unsaid, the implied, the barely grasped or understood, crammed with dark holes and blurry spaces that your imagination feels compelled to fill. It takes both confidence and talent to write like this and it leaves you wanting more of whatever slice of darkness Hurley might choose to dish up next.” —Julie Meyerson, Observer 

  

“An extraordinarily haunted and haunting novel, arrestingly in command of its unique spot in the landscape.” —Telegraph 

  

“A tale of suspense that sucks you in and pulls you under. As yarns go, it rips.” —New Statesman 

  

“Bone-chilling, poetic writing.” —Times 

  

“Nuanced, deliberate and building insensibly from a murmur to a shriek. The Loney is an unforgettable addition to the ranks of the best British horror.”—Metro, five-star review 

  

“An eerie, disturbing read that doesn’t let up until its surprise ending.” —Daily Mail