"Freddie's" is the familiar name of the Temple Stage School, which supplies London's West End theaters with child actors for everything from Shakespeare to musicals to the Christmas pantomime. Its proprietress, Freddie Wentworth, is a formidable woman of unknown age and murky background who brings anyone she encounters under her spell -- so common an occurrence that it is known as "being Freddied." At her school, we meet dour Pierce, a teacher hopelessly smitten with enchanting Hannah; Jonathan, a child actor of great promise, and his slick rival Mattie; and Joey Blatt, who has wicked plans to rescue Freddie's from insolvency. Up to its surprising conclusion, At Freddie's is thoroughly beguiling.
“A jewel of a book.” —Daily Mail
It is the 1960s, in London’s West End, and Freddie is the formidable proprietress of the Temple Stage School, which supplies child actors for everything from Shakespeare to musicals to the Christmas pantomime. Of unknown age and provenance, Freddie is a skirt-swathed enigma—a woman who by sheer force of character and single-minded thrust has turned herself and her school into a national institution. Anyone who is anyone must know Freddie.
Filled with unique and hilarious insights into the theatrical world, At Freddie’s is a beguiling story for those of us who sometimes pretend to be something we are not.
“Love, fear, class, ambition, even death—it's all in here, but so elegantly presented that you've finished your plate before you even think to ask about the ingredients.” —National Public Radio
"A work of immense poise and dignity, but warmth and humor, too... This is definitely one of the most charming - but strongly textured - novels anyone will read in a long while." Booklist, ALA
"Fiztgerald is a deft and nimble writer...[who] displays the English gift for understatement. Her apt phrases are tossed off casually; her humor is flicked at us airily. [At Freddie's] is intriguing to the end." The Washington Post
"Mrs. Fitzgerald's special talent is stylistic, a mannered comic dryness that relishes absurdities without dwelling on them too long: she moves at speed, is full of dry observations and inventions, and at her best is very funny." -- Anthony Thwaite Observer
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