Pravda: A Novel

by Edward Docx

A sweeping transcontinental novel of secrets and lies buried within a single family

Thirty-two-year-old Gabriel Glover arrives in St. Petersburg to find his mother dead in her apartment. Reeling from grief, Gabriel and his twin sister, Isabella, arrange the funeral without contacting their father, Nicholas, a brilliant and manipulative libertine. Unknown to the twins, their mother had long ago abandoned a son, Arkady, a pitiless Russian predator now determined to claim his birthright. Aided by an ex-seminarian whose heroin addiction is destroying him, Arkady sets out to find the siblings and uncover the dark secret hidden from them their entire lives.

Winner of the Geoffrey Faber Memorial Prize and long-listed for the Man Booker Prize, Pravda is a darkly funny, compulsively readable, and hauntingly beautiful chronicle of discovery and loss, love and loyalty, and the destructive legacy of deceit.

  • Format: Paperback
  • ISBN-13/ EAN: 9780618534401
  • ISBN-10: 0618534407
  • Pages: 400
  • Publication Date: 03/19/2008
  • Carton Quantity: 24

Also available in:

About the Book
About the Author
Excerpts
Reviews
  • About the Book
    A sweeping transcontinental novel of secrets and lies buried within a single family

    Thirty-two-year-old Gabriel Glover arrives in St. Petersburg to find his mother dead in her apartment. Reeling from grief, Gabriel and his twin sister, Isabella, arrange the funeral without contacting their father, Nicholas, a brilliant and manipulative libertine. Unknown to the twins, their mother had long ago abandoned a son, Arkady, a pitiless Russian predator now determined to claim his birthright. Aided by an ex-seminarian whose heroin addiction is destroying him, Arkady sets out to find the siblings and uncover the dark secret hidden from them their entire lives.

    Winner of the Geoffrey Faber Memorial Prize and long-listed for the Man Booker Prize, Pravda is a darkly funny, compulsively readable, and hauntingly beautiful chronicle of discovery and loss, love and loyalty, and the destructive legacy of deceit.

    Subjects

    Additional Assets

  • About the Author
  • Excerpts
    Part I OCTOBER The truth was obscure, too profound and too pure, to live it you have to explode.

    —Bob Dylan, “Where Are You Tonight?

    (Journey Through Dark Heat)”

    LOVE AND CHAOS 1 Gabriel Glover

    He was relieved to be again among the Russians. Nothing to do with his head, or even his heart, but in his soul: some kind of internal alignment or tessellation. He looked up at the clock on the wall above the brown lift doors. He’d lost two hours with the delays. But the London panic had given way to cool urgency, a calculating haste. There would be the visa and passport queues. There would be the usual wrangle with the taxi driver—unless he agreed up front to pay the tourist price. And then there would be traffic on Moskovsky . . . An hour and a quarter and he should be there.

    The doors opened. The other Europeans and the Americans hesitated. He pushed his way inside with the Russians and a Finnish businessman with a tatty attaché. Everyone was already smoking. He squashed up and breathed it in: the flavor of the tobacco—more aromatic, smokier. An old woman swathed in a heavy black shawl with her hair tied up in a scalp-tightening white bun began shouldering her myriad straps, grasping numberless bags, grimly determined to be the first out.

    But he was quicker. He walked swiftly across the vast immigration hall—the high two-tone walls, light Soviet tan at the base and dark Soviet mahogany at the top. There were only two queues for nonresidents. He had hoped for three or four. The first was shorter but comprised disorderly families and excited tourists; the second was mainly businessmen, money people. Follow the money. Money, after all, had won.

    He put down his bag. These last few miles always seemed such an incremental agony, especially when the previous thousand he had scorched across the curve of the Earth. And now the candor that he had been evading for the past thirty-six hours finally ambushed him: okay, yes, it was true, this call had been different. Much worse. Something was really wrong. Something serious. Otherwise why would he have gone straight to the airport this morning and taken the first flight via Hel-bloody-sinki?

    The slab-faced man in the booth looked up from the pages of the passport and met his eyes through the bulletproof glass.

    “Your name?” “Gabriel Glover.” “How old are you?” “Thirty-two.” There was a long scrutinizing pause, as if the official were formulating a difficult third question, something beginning with “why.” Gabriel straightened up, consciously pulling his shoulders back, as both Lina and Connie reminded him to do—one thing at least they had in common—and stood with proper posture at his full fiveeleven. He was dressed half scruffily, in cheap jeans and scuffed boots, and half elegantly, in a dark tailored pure wool suit jacket and fine white shirt—as though he had not been able to make up his mind about who he really was or which side he was on when he set out. He had the figure of someone thin through restlessness, through exercise of the mind rather than of the body; he had liquid dark eyes and his hair was near-black and kicked and kinked at the ends, not so much a style as a lack of one, stylishly passing itself off. Immigration officials usually had him down as Mediterranean before they opened up his passport: Her Britannic Majesty requests and requires . . .

    The official’s silence was becoming a test of stamina. He felt the urge to say something—anything—whatever confession was most required. But at last the Russian gave a grotesque smile followed by a parody of that long-suffering American imperative: “Enjoy.” “Thank you.” And his passport was returned to him slowly beneath the glass, as if it documented nothing but the transit excuses of a notorious pimp turned pederast turned priest turned politician. (Truly these people were the masters of contempt.) Now he had to wait for his luggage. They had forced him to check it in: too heavy.

    For five minutes he fidgeted by the jaws of the empty carousel like an actor misguidedly aping madness. Then he could stand it no longer. He struck yet another deal with himself—no smoking in London, but okay, fine abroad—and set off to buy some cigarettes from the kiosk with the rubles he had left over from the last trip. When was that? Six weeks ago? No, less . . . Four weeks ago. This had to stop.

    There was no relief at first—just acridity and watering eyes—but by midway through the second he was tempered, smoking greedily and watching the Russians. If ever there was a nation that understood waiting . . . And it occurred to him all over again why she had wanted to come back: because there was something that appealed to her particular vvanity here, something fierce and irreducible, some semi-nihilistic condition of character.

    He remembered her speaking about just this quality when he was a child. She too must have been quite young then, at one of the London parties, perhaps—he and Isabella, his twin sister, had been allowed to stay up, listening carefully for their cues in the adult conversation. She had been talking to Grandpa Max: “The difference between the Russian character and the Western is that we Russians have learned to live our days in the full knowledge that whatever transpires in the interim, the sun will eventually expand and humanity will be incinerated. It’s a way of life precisely opposite to the American Dream. Call it Russian fatalism if you like. But it gives us a sense of perspective, a sense of humor, and perhaps a certain dignity.” He exhaled smoke through his nose. Her declarations and her pronunciations—was ever a person so convinced of the absolute truth of her latest opinion? She must have been unbearable when she was younger. Her voice was in his head too much these days, especially since the calls had started in earnest; indeed, there were moments when he found himself unable to distinguish his thoughts from hers. His luggage.

    “You’re just like your father.” “I’m not listening to this. That’s not even true. I’ve got to go to bed now.” “You are still with Lina?” (Lina’s voice through the open bedroom door: “Gabriel? Are you off the phone? Can you bring me some water? And put the lettuce back in the fridge.”) “Since we spoke yesterday?” It was Sunday night. He tried to keep the anger out of his voice. “Am I still with Lina since this time yesterday? Yeah. Since yesterday, I’m still with Lina. The same as the last four years. Nothing has changed. Listen, I am—” “And Connie?” The line clicked irregularly, all the way across Europe.

    “Nothing has changed in the last twenty-four hours.” He almost hissed the words. That was unusually devious and unnecessary, even by her standards. “But you know I can’t speak . . .” “You can always speak to me.” He had started whispering. “Lina is awake. It’s . . . it’s midnight. I have to go to bed.” “Going sideways, going sideways, going sideways. Can’t go forward. Can’t go back. So you go sideways.” “I’ll call tomorrow from work.” “Like your father.” “No. Stop. That’s it. I’ll call you tom—” “Don’t go.” Her voice contained a new note of . . . of what? Desperation?

    “I promise I will call you tomorrow.” “Gabriel.” He felt her reaching in fo...

  • Reviews
    Docx has a gift for assessing “the exact shape and weight of other people’s inner selves, the architecture of their spirit,” and although the book teems with characters—the cast reaches nearly Dickensian proportions—even the most ancillary flare into being, vital and insistent.

    The New Yorker

    A novel so vivid it glows in the dark -- like truth.

    The Washington Post

    Longlisted for the 2007 Man Booker Prize, and with good reason: well written, vigorously plotted and perceptive about human nature. Kirkus Reviews, Starred

    Caustic, hip, and highly recommended. Library Journal

    Docx's ability to capture the feel of St. Petersburg, London, New York and Paris adds depth to this portrait of a family in turmoil. Drug addiction, sex, the emptiness of superficial relationships, poverty and music round out the ambitious narrative.

    As the mystery of Maria's life and death is revealed, the haunting story hurtles toward a startling conclusion.

    Docx has plumbed the depths of understanding and forgiveness with this fascinating book.

    Tampa Tribune

×