Third Rail: An Eddy Harkness Novel

by Rory Flynn

A Boston narcotic detective's search for his lost gun reveals a network of corruption and cover-up that reaches the highest levels of the city in this propulsive debut, first in an exciting new series in the tradition of Dennis Lehane and Robert Parker.

  • Format: Hardcover
  • ISBN-13/ EAN: 9780544226272
  • ISBN-10: 0544226275
  • Pages: 224
  • Publication Date: 06/10/2014
  • Carton Quantity: 12

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About the Book
About the Author
Excerpts
Reviews
  • About the Book
    "Third Rail gets off to a ripping start and never lets off the gas." —Jess Walter, author of Beautiful Ruins 

     

    At crime scenes, Eddy Harkness, the "Harvard Cop," is a human Ouija board, a brilliant young detective with a knack for finding the hidden something—cash, drugs, guns, bodies. Harkness's swift rise in an elite narcotics unit is derailed by the death of a young Red Sox fan in the chaos after a World Series win, a death some camera-phone-wielding witnesses believe he could have prevented. Scapegoated, Eddy is exiled to his hometown, Nagog, just outside Boston, where he empties parking meters and struggles to redeem his disgraced family name. 

     

    But one night Harkness’s police-issued Glock disappears. Harkness starts a search—just as a string of fatal accidents in Nagog lead him to uncover a dangerous new smart drug, Third Rail. With only a plastic gun to protect him, Harkness begins a high-stakes investigation that sends him into the darkest corners of the city. 

     

    One of the most electrifying thrillers you'll read this year, Third Rail takes you deep into a gritty world of wronged heroes, corrupt politicians, and sinister kingpins, where your friends can't be trusted, a sleepy town breeds deadly crimes, and nothing ever happens by accident.

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  • About the Author
  • Excerpts
    On the Pike

    When the first headlights burn in the distance, Harkness shoves the wire cutters in his back pocket, climbs through the fresh hole in the chain-link fence, and scrambles down the gravel embankment. He pulls on a Red Sox jacket to hide his uniform and finds his place in the center of the road like a pitcher taking the mound—focused and ready for tonight’s game. His departmental counselor would see this late-night return to the scene of the incident as proof of risk-seeking tendencies. His brother George would just shake his head and tell him to get over it and move on. Thalia would tell him to have another drink. But they aren’t here. Only Officer Edward Harkness, formerly of the Boston Police Department, stands on the Turnpike, ready to see if a stranger in a car will kill him.
       The first contender appears, a white BMW that takes the curve at Kenmore Square and races toward Harkness. The roar grows louder and echoes from the cement walls of the Pike. At twenty yards, the headlights set his Red Sox disguise aglow.
       Harkness runs west toward the car. No dodging. Stay on the line. These are the rules of engagement tonight.
       The BMW hurtles closer and the driver hits the horn. Breath steaming in the cool night air, Harkness runs down the yellow line. The horn screams and the car swerves so close that Harkness could reach out and touch the doors as it flies past, its slipstream spinning Harkness to the ground. The driver lays on the horn, the note bending lower as the car speeds away.
       “One down,” Harkness whispers. His palms scrape in the grit as he stumbles to his feet and turns to watch the red taillights smearing toward South Station.
       When Pauley Fitzgerald stood here exactly a year ago, the highway was crowded with Sox fans driving home. In the blurry security video, he leaps across the lanes, pivots sideways, ricochets from one lane to the next, and somersaults over moving cars. More than three million people had watched Turnpike Toreador the last time Harkness checked YouTube, staring in sick fascination as Pauley Fitz dropped, danced, and died. After it was all over, the Staties couldn’t even find his teeth.
       Harkness runs down the empty highway as the white eyes of new headlights race toward him.

    1

    An hour and three drinks into his latest visit to Mr. Mach’s Zero Room, Harkness still can’t escape the roaring Turnpike. It’s asking a lot of a four-dollar whiskey special. He stares across the bar and wonders how he ended up here with the drunken secretaries, hipsters slumming it, and Joseph “Joey Ink” Incagnoli, an ancient North End felon drinking Cynar and soda and reading the Herald in a corner booth. It’s not a hard question. Almost everyone in Boston knows the answer.
       Thalia nudges his shoulder as she walks past. “Too much thinking, champ.”
       He looks up. “Can’t help it.”
       “Turnpike Toreador?”
       He nods.
       Thalia shuts her eyes. “Forget. Him.”
       “First anniversary.”
       “Of what?”
       “You know.”
       “Accidents happen every day. Let it go, Eddy. Really.”
       The restaurant flickers, orange as a broiler. The drinkers at the bar, the couples eating bowls of phô at the half-empty tables beyond the murky fish tank that divides the bar from the restaurant—they’re all staring.
       Harkness blinks. “What’re they looking at?”
       “Our customers don’t tend to like cops, Eddy.”
       “I’m off duty.”
       “I still don’t think it was such a good idea to wear your uniform,” Thalia says.
       “Didn’t have time to change after work.” His dark green Nagog Police uniform makes Harkness look more like a forest ranger than a cop.
       “What time’d your shift end?”
       “Nine,” he says.
       “Where’ve you been?”
       “Playing in traffic.”
       She shakes her head. “Not supposed to do that. Didn’t your mother tell you?”
       “Can’t help it.” The room spins a little and Harkness shuts his eyes for a moment to slow it. “It’s just too much fun.”
       “Count your blessings, Eddy. Be glad it wasn’t you who ended up dead.”
       “Maybe it was.”
       “Shut the fuck up.” Thalia leans closer. “That’s bullshit and you know it. You know, you really should drink more. Works for me when there’s something I need to chase out of my head.”
       “Like what?”
       “Like my week in lockup before Mach’s lawyer bailed me out.”
       “Told you before . . .” Harkness says, “I was just doing my job.”
       “And now I’m doing mine.” Thalia fills his glass with whiskey and moves on.

    ***

     
    After the beat cops cuffed Thalia and the other bartenders, they dragged them out of the Zero Room and into a van bound for Central Processing. Half were illegals; most of the rest had priors and outstanding warrants or drugs in their underwear or stuck in the toes of their Chuck Taylors. Only Thalia was clean. They locked eyes for a moment when Harkness walked in, wondering what a red-haired art girl in black jeans and a vintage Sonic Youth T-shirt was doing tending bar in a dump like the Zero Room. But he wasn’t at Mr. Mach’s to make new friends.
       The Boston cops from District A-1 had raided the place and called in Narco-Intel when they couldn’t find what they were after. Harkness walked through the bar, getting a read on it. He started at the cash register. Mach seemed organized, the kind of guy who kept his valuables together—keys and cell phone, wallet and Ray-Bans, drugs and money. Harkness trailed his fingers along the red leather barstools and set them spinning.
       The stool closest to the register was scuffed with tiny white scratches, almost invisible in the dark bar. Harkness jumped up on it, boots scraping the leather, and pushed up a stained ceiling tile.
       A BPD lifer named O’Rourke pointed his flashlight up into the ceiling to reveal wires and a metal duct.
       “Thanks for finding the ventilation system,” Sergeant O’Rourke said. “Was getting kind of toasty in here.”
       Harkness held up his right hand to quiet the smart-ass, then let it move toward the duct like a dowsing rod, his fingers running along the cool aluminum until they found the smudged edge. He peeled back a piece of silver tape, then ripped the metal duct open—a little at first, then more, until the flashlight revealed dozens of foil-wrapped bricks.
       O’Rourke’s eyes popped open. “Holy crap.”
       At a sidewalk shooting in Dorchester or a drug dealer’s triple-decker in Mission Hill, Harkness could find the drugs, guns, money, shell casings, and tossed cell phones. It wasn’t supernatural. Harkness didn’t need any help from...

  • Reviews

    "Already compelling plot-wise, Third Rail also glows with the kind of sawdust-dry humor regarding Beantown, cops, and the darkest of urban underbellies that you might find at 3 a.m. in the back booth of a backstreet bar…With its gaggle of crazy-yet-riveting characters, its spare approach and its unflagging action, Third Rail, the first in a promised series of Eddy Harkness novels, adds yet another striking feather to [Rory Flynn]’s impressively-crowded cap." —Boston Globe

    "Third Rail gets off to a ripping start and never lets off the gas. Rory Flynn is a suspense writer to watch." —Jess Walter, author of the bestselling Beautiful Ruins

    Third Rail is an adrenaline-soaked tale of political corruption and personal redemption that never lets up. Eddy Harkness, the self-destructive Massachusetts narcotics detective at the novel’s center, is a worthy successor to Robert B. Parker’s Jesse Stone.” —Sean Chercover,  author of the bestselling The Trinity Game

    "Third Rail is driven equally by character and plot. Harkness's Nagog is faintly reminiscent ofFargo (the film or television series, take your pick). It is populated by quirky characters, some of whom are dangerous to others, others who are dangerous only to themselves." —Book Reporter

    "Terrific debut...impressive economy and stylish, sophisticated prose...Readers will want to see more of Flynn’s gritty Boston—and Eddy Harkness." —Publishers Weekly, boxed and starred

    "The start to a successful crime writing career." —Library Journal

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