Houghton Mifflin Harcourt

The Heart Is a Lonely Hunter

by Carson McCullers


With the publication of her first novel, THE HEART IS A LONELY HUNTER, Carson McCullers, all of twenty-three, became a literary sensation. With its profound sense of moral isolation and its compassionate glimpses into its characters' inner lives, the novel is considered McCullers' finest work, an enduring masterpiece first published by Houghton Mifflin in 1940. At its center is the deaf-mute John Singer, who becomes the confidant for various types of misfits in a Georgia mill town during the 1930s. Each one yearns for escape from small town life. When Singer's mute companion goes insane, Singer moves into the Kelly house, where Mick Kelly, the book's heroine (and loosely based on McCullers), finds solace in her music. Wonderfully attuned to the spiritual isolation that underlies the human condition, and with a deft sense for racial tensions in the South, McCullers spins a haunting, unforgettable story that gives voice to the rejected, the forgotten, and the mistreated -- and, through Mick Kelly, gives voice to the quiet, intensely personal search for beauty.
Richard Wright praised Carson McCullers for her ability "to rise above the pressures of her environment and embrace white and black humanity in one sweep of apprehension and tenderness." She writes "with a sweep and certainty that are overwhelming," said the NEW YORK TIMES. McCullers became an overnight literary sensation, but her novel has endured, just as timely and powerful today as when it was first published. THE HEART IS A LONELY HUNTER is Carson McCullers at her most compassionate, endearing best.

Format: Paperback
ISBN-13/ EAN: 9780618526413
ISBN-10: 0618526412
Pages: 368
Publication Date: 04/21/2004
Carton Quantity: 24
Grade Level: 9,10,11,12
Age Range: 14,15,16

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$13.95

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With the publication of her first novel, THE HEART IS A LONELY HUNTER, Carson McCullers, all of twenty-three, became a literary sensation. With its profound sense of moral isolation and its compassionate glimpses into its characters' inner lives, the novel is considered McCullers' finest work, an enduring masterpiece first published by Houghton Mifflin in 1940. At its center is the deaf-mute John Singer, who becomes the confidant for various types of misfits in a Georgia mill town during the 1930s. Each one yearns for escape from small town life. When Singer's mute companion goes insane, Singer moves into the Kelly house, where Mick Kelly, the book's heroine (and loosely based on McCullers), finds solace in her music. Wonderfully attuned to the spiritual isolation that underlies the human condition, and with a deft sense for racial tensions in the South, McCullers spins a haunting, unforgettable story that gives voice to the rejected, the forgotten, and the mistreated -- and, through Mick Kelly, gives voice to the quiet, intensely personal search for beauty.

Richard Wright praised Carson McCullers for her ability "to rise above the pressures of her environment and embrace white and black humanity in one sweep of apprehension and tenderness." She writes "with a sweep and certainty that are overwhelming," said the NEW YORK TIMES. McCullers became an overnight literary sensation, but her novel has endured, just as timely and powerful today as when it was first published. THE HEART IS A LONELY HUNTER is Carson McCullers at her most compassionate, endearing best.

Subjects

Literary

Related Subjects

Fiction

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Carson McCullers

Carson McCullers (1917-1967) was the author of numerous works of fiction and nonfiction, including The Heart is a Lonely Hunter, The Member of the Wedding, Reflections in a Golden Eye, and Clock Without Hands. Born in Columbus, Georgia, on February 19, 1917, she became a promising pianist and enrolled in the Juilliard School of Music in New York when she was seventeen, but lacking money for tuition, she never attended classes. Instead she studied writing at Columbia University, which ultimately led to The Heart Is a Lonely Hunter, the novel that made her an overnight literary sensation. On September 29, 1967, at age fifty, she died in Nyack, New York, where she is buried. Read More


1 In the town there were two mutes, and they were always together. Early every morning they would come out from the house where they lived and walk arm in arm down the street to work. The two friends were very different. The one who always steered the way was an obese and dreamy Greek. In the summer he would come out wearing a yellow or green polo shirt stuffed sloppily into his trousers in front and hanging loose behind. When it was colder he wore over this a shapeless gray sweater. His face was round and oily, with half-closed eyelids and lips that curved in a gentle, stupid smile. The other mute was tall. His eyes had a quick, intelligent expression. He was always immaculate and very soberly dressed.

Every morning the two friends walked silently together until they reached the main street of the town. Then when they came to a certain fruit and candy store they paused for a moment on the sidewalk outside. The Greek, Spiros Antonapoulos, worked for his cousin, who owned this fruit store. His job was to make candies and sweets, uncrate the fruits, and to keep the place clean. The thin mute, John Singer, nearly always put his hand on his friend’s arm and looked for a second into his face before leaving him. Then after this good-bye Singer crossed the street and walked on alone to the jewelry store where he worked as a silverware engraver.

In the late afternoon the friends would meet again. Singer came back to the fruit store and waited until Antonapoulos was ready to go home. The Greek would be lazily unpacking a case of peaches or melons, or perhaps looking at the funny paper in the kitchen behind the store where he cooked. Before their departure Antonapoulos always opened a paper sack he kept hidden during the day on one of the kitchen shelves. Inside were stored various bits of food he had collected—a piece of fruit, samples of candy, or the butt-end of a liverwurst. Usually before leaving Antonapoulos waddled gently to the glassed case in the front of the store where some meats and cheeses were kept. He glided open the back of the case and his fat hand groped lovingly for some particular dainty inside which he had wanted. Sometimes his cousin who owned the place did not see him. But if he noticed he stared at his cousin with a warning in his tight, pale face. Sadly Antonapoulos would shuffle the morsel from one corner of the case to the other. During these times Singer stood very straight with his hands in his pockets and looked in another direction. He did not like to watch this little scene between the two Greeks. For, excepting drinking and a certain solitary secret pleasure, Antonapoulos loved to eat more than anything else in the world.

In the dusk the two mutes walked slowly home together. At home Singer was always talking to Antonapoulos. His hands shaped the words in a swift series of designs. His face was eager and his gray-green eyes sparkled brightly. With his thin, strong hands he told Antonapoulos all that had happened during the day.

Antonapoulos sat back lazily and looked at Singer. It was seldom that he ever moved his hands to speak at all—and then it was to say that he wanted to eat or to sleep or to drink. These three things he always said with the same vague, fumbling signs. At night, if he were not too drunk, he would kneel down before his bed and pray awhile. Then his plump hands shaped the words ‘Holy Jesus,’ or ‘God,’ or ‘Darling Mary.’ These were the only words Antonapoulos ever said. Singer never knew just how much his friend understood of all the things he told him. But it did not matter.

They shared the upstairs of a small house near the business section of the town. There were two rooms. On the oil stove in the kitchen Antonapoulos cooked all of their meals. There were straight, plain kitchen chairs for Singer and an overstuffed sofa for Antonapoulos. The bedroom was furnished mainly with a large double bed covered with an eiderdown comforter for the big Greek and a narrow iron cot for Singer.

Dinner always took a long time, because Antonapoulos loved food and he was very slow. After they had eaten, the big Greek would lie back on his sofa and slowly lick over each one of his teeth with his tongue, either from a certain delicacy or because he did not wish to lose the savor of the meal— while Singer washed the dishes.

Sometimes in the evening the mutes would play chess. Singer had always greatly enjoyed this game, and years before he had tried to teach it to Antonapoulos. At first his friend could not be interested in the reasons for moving the various pieces about on the board. Then Singer began to keep a bottle of something good under the table to be taken out after each lesson. The Greek never got on to the errratic movements of the knights and the sweeping mobility of the queens, but he learned to make a few set, opening moves. He preferreeeeed the white pieces and would not play if the black men were given him. After the first moves Singer worked out the game by himself while his friend looked on drowsily. If Singer made brilliant attacks on his own men so that in the end the black king was killed, Antonapoulos was always very proud and pleased.

The two mutes had no other friends, and except when they worked they were alone together. Each day was very much like any other day, because they were alone so much that nothing ever disturbed them. Once a week they would go to the library for Singer to withdraw a mystery book and on Friday night they attended a movie. Then on payday they always went to the ten-cent photograph shop above the Army and Navy Store so that Antonapoulos could have his picture taken. These were the only places where they made customary visits. There were many parts in the town that they had never even seen.

The town was in the middle of the deep South. The summers were long and the months of winter cold were very few. Nearly always the sky was a glassy, brilliant azure and the sun burned down riotously bright. Then the light, chill rains of November would come, and perhaps later there would be frost and some short months of cold. The winters were changeable, but the summers always were burning hot. The town was a fairly large one. On the main street there were several blocks of two- and three-story shops and business offices. But the largest buildings in the town were the factories, which employed a large percentage of the population. These cotton mills were big and flourishing and most of the workers in the town were poor. Often in the faces along the streets there was the desperate look of hunger and of loneliness.

But the two mutes were not lonely at all. At home they were content to eat and drink, and Singer would talk with his hands eagerly to his friend about all that was in his mind. So the years passed in this quiet way until Singer reached the age of thirty-two and had been in the town with Antonapoulos for ten years.

Then one day the Greek became ill. He sat up in bed with his hands on his fat stomach and big, oily tears rolled down his cheeks. Singer went to see his friend’s cousin who owned the fruit store, and also he arranged for leave from his own work. The doctor made out a diet for Antonapoulos and said that he could drink no more wine. Singer rigidly enforced the doctor’s orders. All day he sat by his friend’s bed and did what he could to make the time pass quickly, but Antonapoulos only looked at him angrily from the corners of his eyes and would not be amused. The Greek was very fretful, and kept finding fault with the fruit drinks and food that Singer prepared for him. Constantly he made his friend help him out of bed so that he could pray. His huge buttocks would sag down over his plump little feet when he kneeled. He fu...


“To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life.” -- Richard Wright

"When one puts [this book] down, it is with . . . a feeling of having been nourished by the truth." --May Sarton

"A remarkable book . . . [McCullers] writes with a sweep and certainty that are overwhelming." The New York Times

"Quite remarkable . . . McCullers leaves her characters hauntingly engraved in the reader's memory." The Nation

"To me the most impressive aspect of 'The Heart Is a Lonely Hunter' is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race." -- Richard Wright New Republic

"One cannot help remarking that this is an extraordinary novel to have been written by a young woman of twenty-two; but the more important fact is that it is an extraordinary novel in its own right, considerations of authorship apart." -- Saturday Review of Literature Saturday Review

"The Heart Is a Lonely Hunter has remarkable power, sweep and certainty . . . Her art suggests a Van Gogh painting peopled with Faulkner figures." The New York Times Book Review

"Sensitively conceived and expertly told . . . Its quality as writing and the intensity of its theme combine to make it one of the outstanding novels of recent years." --Times-Picayune

"Besides telling a good story, the author has peopled it with a small group of characters so powerfully drawn as to linger long in memory." Philadelphia Inquirer

"[McCullers] writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study." Boston Globe

"There is not only the delicately sensed need that one might expect youth to know but an even more delicately sensed ironic knowledge." The Chicago Tribune

"The Heart Is a Lonely Hunter is a miracle of compassion, pity, and irony. Form and matter are perfectly blended in the novel." --Virginia Quarterly Review
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